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June 16, 2022

 

                                


Commentary for June 16, 2022:

It might seem like a weird way to deal with Sora-Ya and her goons, but are you going to try jumping off a high speed monorail train that just started speeding down a tunnel? Don’t answer that. I wanted it to go down this way, honestly, because it’s how it went down in the original story in Eon’s Comic #145. The details are a bit different, mind you. The train was actually on its way to the rocket silo to deliver the Chaos Emeralds and Sonic was fighting Sora-Ya on the train as it moved. As it arrived at the silo, the Chaos Emeralds were loaded onto the rocket while some Badniks attacked, and Sonic set the train moving again at high speed to send Sora-Ya packing, while he tried to board the rocket.

This time around, the train doesn’t go to the silo and the Chaos Emeralds aren’t being delivered by train either; the monorail tunnel is just the entrance the two parties are using to get into Eggman’s base, but the resolution is essentially the same. Get Sora-Ya and her thugs on the train and send them off down the tunnel. Of course, it’s the kind of clever use of tech to solve a problem that I think Tails would come up with under the circumstances. It’s not that Sonic isn’t clever enough for it; I just think if Tails is there, it’s more likely she’d come up with this spur-of-the-moment plan first.

I was very reticent to use Paint Shop Pro’s blurring tools in Eon’s World Vol. 1 for a long time, and I’ve only really just started allowing myself to do it. I used them a lot in Eon’s Comic, and I feel like I overused them a bit. I didn’t want to be overly reliant on them, but there are occasions where they’re just the best tool for the job. Like the train suddenly speeding off and Sonic and Rouge rushing off down the passage in the base.


Eon's World is a fan comic created by Bethany Turner. All characters are copyright © to their respective creators. The contents of this site are not public domain material and should not be edited, distributed, or otherwise used without first obtaining permission from Bethany Turner.

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