June 2, 2021

 

                                


Commentary for June 2, 2021:

So, I guess the first thing I ought to do right now is apologise for just how long it’s been since the last instalment of Eon’s World, which was Vol. 1, Chapter 34, which finished last September. (And if you’ve not checked out Vol. 1 yet, what are you doing? Go check it out and don’t be put off by the sprites; the writing is some of my finest work ever.) Of course, it’s been even longer since the last chapter of Vol. 2, which ended last January. There are myriad reasons for the delay; I guess I was feeling a bit burned out by the end of Vol. 1, season 2, which really shouldn’t be that surprising; after all, I’d been working flat out of this series since the end of 2018, without so much as a break to give myself a breather. Vol. 2, Chapter 9 began in January, 2019 and was followed immediately by Vol. 1, season 1; and after that, I launched straight into Vol. 2, Chapter 10, and again followed it immediately with a whole season of Vol. 1. In that whole time, I didn’t give myself a break, so it shouldn’t be all that surprising that, by the time I finished Chapter 34, I didn’t have the same energy to keep going that had propelled me through about twenty months of content creation. Still, I wish it needn’t have been so and I do regret keeping eager readers waiting. But the wait is now over. I don’t expect season 3 of Vol. 1 to begin as soon as this chapter ends, mind you, but I do intend to get that started before the year is out. We’ll see how things go.

Anyway, where are we? What’s going on? Who are these characters? That’s not Earth’s moon! Well, I don’t want to spoil anything, but I will say that, if you’ve read Vol. 1 at all, you might be able to piece some of the visual clues together. If not, just sit tight and things will become clearer as this chapter progresses.


Eon's World is a fan comic created by Bethany Turner. All characters are copyright © to their respective creators. The contents of this site are not public domain material and should not be edited, distributed, or otherwise used without first obtaining permission from Bethany Turner.

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